LERNEN WIR UNS KENNEN

I am the daughter of Siegfried Ludewig, and I created this page on my website to make my father's story public, to open call on the Dresden State Art Collections to issue a statement.

For 30 years, my father's name has been suppressed in connection with the Green Vault. With this website, I urge those responsible to respond to my open letter, to publicly name my father, and to publish his historical handwritten documents. These documents belong in the Green Vault's Heraldic Room. Their publication is essential for complete historical documentation.

This website serves to raise public awareness, demand answers, and make my father's story visible.

MY MISSION

Initially, it was simply a request to the GREEN VAULT DRESDEN. My goal was to have my father publicly acknowledged online to complete my own artistic biography.

However, over time, this evolved into a much larger issue. Despite public inquiries, open letters, submitted documents, evidence, accusations, and legal action, no statement has been issued to this day.

I am therefore seriously questioning what position my father held that led to his removal from the websites and his historical account, along with all his merits, achievements, and activities.

This page on my website serves to publicize my request, connect it with Google, and reach a wider audience. It aims to draw attention to the open questions surrounding my father's role and activities at the Green Vault and to demand a public statement from those responsible.

Until an explanation is provided, I will continue to escalate the situation until my father's work and contributions to the Green Vault are publicly acknowledged.

MY VISION

My vision is the complete public disclosure of my father's work at the Green Vault and the Dresden State Art Collections.

What began as a simple request for public recognition has evolved into the question of why my father's achievements, activities, and scholarly work remain unrepresented to this day.

I desire a comprehensible and transparent clarification of these questions.

This includes a public examination of his life's work, the publication of his handwritten scholarly documents, and a historical contextualization of his work in relation to the Green Vault.

At the same time, the questions that have remained unanswered for years, which I have addressed in my open letter, publications, and advertisements, should be addressed.

My goal is for my father's story to be fully presented, his name to be publicly acknowledged, and his contribution no longer excluded from historical narratives.